{"id":32273,"date":"2026-04-17T16:13:55","date_gmt":"2026-04-17T15:13:55","guid":{"rendered":"https:\/\/rroma.org\/?p=32273"},"modified":"2026-04-17T16:13:55","modified_gmt":"2026-04-17T15:13:55","slug":"lolita-cercel","status":"publish","type":"post","link":"https:\/\/rroma.org\/de\/lolita-cercel\/","title":{"rendered":"Lolita Cercel"},"content":{"rendered":"<p style=\"font-weight: 400;\">Lolita Cercel, created virtually with the help of artificial intelligence, is a star in Romania and beyond. Her genre, &#8220;Balkan trip-hop&#8221;, combines traditional Roma melodies with modern pop, dance and electronic rhythms and has long since become part of the mainstream music scene. But, in addition to fame, she is also the target of critics. &#8220;The instrumentalization of Roma culture&#8221;, someone called her. According to critics, while real Roma artists are often underestimated, a \u201cvirtual, racially charged and dehumanized Roma identity\u201d is suddenly gaining ground.<\/p>\n<ul>\n<li>\u201e\u0412\u0435\u0448\u0442\u0430\u0447\u043a\u0430\u201c \u043f\u0435\u0432\u0430\u0447\u0438\u0446\u0430 \u0440\u043e\u043c\u0441\u043a\u0435 \u043c\u0443\u0437\u0438\u043a\u0435 \u0438\u0437\u043c\u0435\u0452\u0443 \u0441\u043b\u0430\u0432\u0435 \u0438 \u043a\u0440\u0438\u0442\u0438\u043a\u0435. In: Koha. 16.04.2026. <a href=\"https:\/\/www.koha.net\/sr\/kulture\/kengetarja-artificiale-e-muzikes-rome-midis-fames-e-kritikave\">https:\/\/www.koha.net\/sr\/kulture\/kengetarja-artificiale-e-muzikes-rome-midis-fames-e-kritikave<\/a><\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Lolita Cercel, created virtually with the help of artificial intelligence, is a star in Romania and beyond. Her genre, &#8220;Balkan [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":32274,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"fifu_image_url":"https:\/\/rroma.org\/wp-content\/uploads\/2026\/04\/210fbb51-ccac-40f0-ae71-ce11a4370849.webp","fifu_image_alt":"","footnotes":""},"categories":[14,605,606],"tags":[777,9],"class_list":["post-32273","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-eastern-europe","category-romania","category-serbia","tag-ai","tag-music"],"fifu_image_url":"https:\/\/rroma.org\/wp-content\/uploads\/2026\/04\/210fbb51-ccac-40f0-ae71-ce11a4370849.webp","_links":{"self":[{"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/posts\/32273","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/comments?post=32273"}],"version-history":[{"count":1,"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/posts\/32273\/revisions"}],"predecessor-version":[{"id":32275,"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/posts\/32273\/revisions\/32275"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/media\/32274"}],"wp:attachment":[{"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/media?parent=32273"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/categories?post=32273"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/rroma.org\/de\/wp-json\/wp\/v2\/tags?post=32273"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}