15.10.2014 Photo reportage on homeless Rroma: illustration of misery or favouring their exclusion?

Mediapart (2014) comments critically on the photo-reportages of the French photographer Marc Melki. He portrayed homeless Rroma in the streets of Paris for two years, and published the photographs on the Internet, in exhibitions and in picture books. Mediapart criticises that the resulting photographs miss the intended aim of the photographer, without him acknowledging this aspect. Melki wanted to draw attention to the failure of the state and the public institutions that allow such misery, but at the same time he enables authorities and right-wing groups to identify the depicted persons and pursue them. In addition, the photographer does not get the consent of the portrayed families, but relies on the right to photograph in public: “According to several consistent testimonies of those managing the emergency shelters in France, they have repeatedly rejected the pleas of Roma families, who referred to the abandonment of an earlier accommodation, because of the publication of undated photos … In Brussels, families who were photographed without their knowledge, found themselves on right-wing extremist internet pages of their homeland. One can therefore completely wonder if these photos do not come to the aid of the police that comes at regular intervals to seize the impacts [possessions?] of the families, to throw them in waste containers and to drive them to their destruction…” Mediapart thus addresses an important point that is at times lost in the journalistic desire to document the “unvarnished truth”. Portraits and documentations are presented in a variety of contexts and with different intentions, whereby they are often given new meanings that do not need to correspond to the original photographer’s intent. For people who are heavily influenced by stereotypes about Rroma, the photographs of homeless Rroma can confirm their prejudices, rather than encourage them to inquiry and empathy, as the photographer intended. A discerning photographer should reflect upon the possible uses and interpretations of photos that can be used to the detriment of the portrayed persons. In France, there are an estimated 100,000 to 500,000 Rroma, according to estimates of the Rroma Foundation. The majority of them are integrated, go to work, speak French and have their own houses. Many of them have lived in France for several generations. The photographer negates these invisible Rroma in his will to portray the “unvarnished truth”.