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19.07.2013 «Just the Wind» highlights Anti-Rroma Pogroms in Hungary

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Bence Fliegauf film “Just the Wind”, which won a Silver Bear at the 2012 Berlinale, currently runs since the 18th July of this year in German cinemas. The film explores the marginalization of Rroma by the Hungarian majority society, which in the case of the story – based on true events – led to the racist murder of several Rroma families. Rother (2013) of the FAZ interpreted the film as a plea for the right of existence of Rroma: “’Csak a szél’ is not the first film from Hungary, which deals with the fate of the Rroma or, as we say here, Cigány. While formerly the integration stood at the centre, as in one of the best known examples, in Pál Schiffer documentary movie “Gyuri Cseplö” from 1978, it seems the situation has gone so far now that movies have to defend the mere right of existence of these citizen.”

Assheuer (2013) interprets the film as an indictment of a latent state racism, which deems Rroma to be outside of the law and so they deliver into the hands of racist mobs. For these economically-racists arguments, Rroma are just useless bodies that do not contribute to the increase of national wealth: “The moment where the state singles Rroma out of the universe of civil rights, he declares them to be outlaws – he delivers them to the hatred of the society allows them to be shot as Misu, the errant pig, in the forest. […] Fascism therefore does not mean that the state built camps. It means that it takes the Rroma the right to have rights, and leaves them to the mob.”

Taszman (2013) emphasizes that the film became a political issue prior to its presentation at the Berlin Film Festival. The Hungarian Ministry of Public Administration and Justice, and the Secretariat of State for social integration issued a leaflet handed out to journalist, which represented the attitude of the Hungarian society and the Hungarian state towards Rroma as being open-minded. The letter repeatedly stressed the massive efforts of the Hungarian government made to successfully integrate Rroma.

Schnelle (2013) describes the film as an allegory about the omnipresent fear of something that is not visible. The invisible in this case is represented by the sudden arrival of the murderers, which, while the Rroma family indeed suspects will happen, cannot be articulated exactly. The father of the family now dwells in Canada, which one would like to follow on as soon as possible. Schnelle notes: “Fliegauf hardly tells of actual events. It is more of a film centred quite directly on fear. The family, threatened by racist terror and abandoned by a silent majority, is trying to survive the day after the last attack. And in the evening, as darkness falls over the village, one moves in bed together even more closely than usual.”

Krings (2013) describes the film as an oppressive portrait of repressed social reality: “Bence Fliegauf created a tremendously haunting film with “Just the Wind”, a laconic drama that accuses simply by showing a social reality that is often overlooked in Europe. Of course, such a film is no pleasure, though he builds tension like only a few thriller can. It is the cold power of horror. It is also about what Europe has to hide.”

Peitz (2013) sees the film as a portrait of people who were declared outlaws and must constantly reckon with death. In this “Tropic of Fear,” as it was called by the jury of the Berlinale, only extreme restraint and going for invisibility offers some protection: “[The film] is a snapshot from the lives of vulnerable people, almost unbearable du to fear. Bence Fliegauf glossed over nothing, many a Rrom in the film breaks his back with had work , some are just broken existences. But you can see the causes of the destruction, can feel the pogrom atmosphere with one’s hands. “There is no political film in Hungary, no more socially committed cinema” the director stated in a recent interview, self-critical of his own profession.”

Rebhandl (2013) emphasizes that the film genuinely shows the transition between nature and civilization, institutions, and vulnerability and tries to show, in which social atmosphere  ideological murders can happen: “A few weeks ago, a news went through the press that the Hungarian case against four men who allegedly killed six Roma in 2008 and 2009 is not progressing. They are still sitting in custody and whether there will be a process is unclear. “Just the Wind” leads a compelling indictment in a process that goes far beyond juridical concerns.”

Sources:

  • Assheuer, Thomas (2013) Und am Abend bist du tot. In: Die Zeit online vom 18.7.2013.
  • Krings, Dorothee (2013) eklemmendes Roma-Drama “Just the Wind”. In: RP online vom 18.7.2013.
  • Peitz, Christiane (2013) Menschenjagd als Spielfilmthema. In: Der Tagesspiegel online vom 17.7.2013.
  • Rebhandl, Bert (2013) In der Hitze des Tages. In: TAZ online vom 18.7.2013.
  • Rother, Hans-Jörg (2013) Der lange Lauf dieses Tages. In: Frankurter Allgemeine Zeitung online vom 18.7.2013.
  • Schnelle, Josef (2013) Brillantes Gesellschaftsporträt: Benedek Fliegaufs Kinofilm “Just the Wind” über Roma in Ungarn. In: Deutschlandfunk online vom 18.7.2013.
  • Taszman, Jörg (2013) Ungarns Angst vor der eigenen Realität. In: Die Welt online vom 18.7.2013. 
Germany News Eastern Europe News Western Europe Romania

07.06.2013 Rroma Debate in Germany

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The Bremen SPD politician Martin Koroll lost his membership rights in the SPD for the coming two years. On his website, in an opinion on his political goals, Koroll published xenophobic statements against Rroma. The judgment was pronounced by the Social Democratic Party’s arbitration committee. Koroll had proclaimed that Rroma live socially and intellectually “in the Middle Ages”, in an “age-old patriarchal society” in which men have “no inhibitions to send the children to work instead to school, their break their wives’ teeth and treat themselves to steel teeth [protheses].” Many of the young Rroma men, according to Koroll, “melt their brains by sniffing adhesives vapours” (Zier 2013). Koroll’s opinions were since a long time on his website, but only became a public topic after his entry into the Bremen state parliament. The SPD distanced himself decidedly from Koroll’s statements and expressly emphasized that these were his views and not those of the SPD. Therefore, procedure for his expulsion from the party was submitted and remains pending. The Young Socialists of Germany commented on the non-exclusion of Koroll as a non-logical decision. Koroll has “made populist slogans socially acceptable.” Koroll commented on the measures against him as a being “educationally and politically misplaced” (Zier 2013).

Frenzel (2013) provides information on the trip of the Neuköln Education Councillor Franczisca Giffey to Romania. Giffey travelled to Romania to meet with interest groups and politicians in order to assess the future development of the migration issues between the two countries. In her interview with the Daily Mirror, the Education Councillor confirmed the glaring poverty gap between Germany and Romania and the social disintegration facing the Rroma. She also noted glaring contradictions between statements by government politicians and those of NGOs. The state politicians stressed that there would be no significant increase in migration flows due to the persons agreement with the EU. The representatives of NGOs noted that there was no sign of a speedy improvement of the economic situation in the country, and that therefore, one should expect many poverty refugees in the future. With regard to life in both countries, Giffey sees a clear difference in terms of the education in Germany, but not in terms of housing situation. In this regard Rroma in Romania often fare better. The Education Councillor wants in particular to ensure that immigrant Rroma do not become welfare cases. The awareness that self-initiative is required needs to be promoted. The controversial issue in the debate in Germany, namely the extent the predicted immigration, is not discussed in the interview.

Barthels (2013) reported on the presentation series “Cineromani – Empowering Roma Filmmakers” in  the Collegium Hungaricum Berlin (CHB). To mark the event, current as well as older cinematic works on the life of Rroma are shown. They cover a broad spectrum ranging from self and external views of the Rroma, to religious and sexual identity and to questions the right to stay and to forced deportations. The presentation series can also criticized its renewed exclusion of the Biennale.

Sources:

  • Barthels, Inga (2013) Blicke hinter das Klischee. In: Die TAZ vom 4.6.2013.
  • Frenzel, Veronica (2013) „Es werden weiterhin Roma kommen“. In: Der Tagesspiegel vom 2.6.2013. 
  • Zier, Jan (2013) Ab in die Ecke, Genosse! In: Die TAZ vom 3.6.2013. 
Czech Republic News Eastern Europe News Western Europe

31.05.2013 Rroma in the Czech Republic: Anti-Rroma Pogroms in Duchvok

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Neumann (2013) reports about an anti-Rroma rally in Duchvoc, in the North Bohemian part of the Czech Republic. After a Czech couple was attacked by a group of Rroma, around 800 people protested against the Rroma in the Republic. According to Neumann, the pogrom is reminiscent of riots that happened in the same place two years ago. At that time a dispute between adolescents led to massive violence that could not be prevented by the authorities. Neumann assesses the situation as follows: “Experts have repeatedly pointed out that the situation since the events in Zipfel has not significantly changed. At any time, in any place in the Czech Republic, widespread antipathy can erupt into open violence against Roma. Conversely, long-term unemployment and the getthoisation of life for Rroma make for an uncontrollable social powder keg.” He looks in particular the risk of renewed exploitation of this situation by extreme right-wing groups.

Zimmermann (2013) provides information on Czech students aged 12 to 15 years views on ethnic diversity. The company Scio made a study of the students’ behaviour and tested it amongst other with the game “Multipolis”, which through role-plays allows insight into the situation of other ethnic groups. The conclusion of the study was sobering: A third of the students surveyed do not want to be friends with a Rrom. About 40 percent would even actively participate in a protest march against Roma. Among other reasons, the study criticized the reductionist views which are presented to children in their own families, in the media and in school. But it also points out to how deeply rooted social values ​​and attitudes are, and what weight social conformity has when it comes to questions of acceptance. A sobering finding. Zimmermann commented: “Students could also determine how they imagined an ideal friend. They were able to choose from a series of images and descriptions. The result was that most of the youth decided against people with a different skin colour, against overweight and against nerds. Therefore, the most important factor to respondents was as little deviation from the norm.”

Kachlíkova (2013) reported on the Khamoro Rroma festival in Prague. The festival focuses on musical entertainment, but also shows movies and organises discussion events on social issues such as active integration. Successfully integrated Rroma are to offer the younger generation insight in their work in national and international institution and thus motivate them for their own future.

Sources:

  • Kachlíková, Markéta (2013) Roma-Festival „ Khamoro“ feiert 15. Geburtstag. In: Radio Praha vom 28.5.2013.
  • Neumann, Steffen (2013) Angst vor Ausschreitungen gegen Roma. In: Sächsische Zeitung vom 31.5.2013.
  • Zimmermann, Marco (2013) Starke Abneigung gegen Roma bei tschechischen Schülern. In: Radio Praha vom 31.5.2013.  
Italy News Eastern Europe News Western Europe

17.05.2013 Rroma in Italy

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The documentary “Lashi Vita” tells the story of the origin of pogroms against Rroma in Italy which started in early 2007. That year, an Italian woman was murdered by a Rrom, leading to a wave of xenophobia and racially motivated violence. The documentary goes to the roots of racial prejudice and examines the gray area between human rights, legislation, and social practice as lived in human interactions. The State’s practice practise of enclosed Rroma camps with systematic monitoring and categorising of the inmates shocks, and can be qualified in terms of Orwellian state surveillance state of alien bodies. (Mundi Romani 2008)

Source:

Germany News Eastern Europe News Western Europe Serbia

17.05.2013 Documentary about the Self-View of the Serbian Rroma

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Majic (2013) reports on the work of Lidija Mirkovic, a documentary filmmaker who wants to present through her work a picture of the Rroma beyond certain foreign stereotypes. Mirkovic has interviewed countless Rroma in months of work and documented their everyday lives. She receives regular visits from journalists from Germany who are interested in her work. Usually she asks them two questions. First, what he or she wants to know about the slums and secondly, what he or she actually knows himself about Rroma. With this second question Mirkovic goes to the core of the issue. Her intention is to create new images that can compete with the entrenched stereotypes. Besides stereotypes, the essence of the slums lies at centre of the film “slumdogs”. Majic states: “What in the West is either glorified or branded a part of gypsy culture, is actually the result of unbearable misery. This reality cannot be banished away from one’s own doorstep, by simply declaring its consequences to be the nature of a particular ethnic group.” The film critically examines this ethnicisation of poverty as a self-chosen way of life, and take a look into the slums, not in a third world countries, but the middle of Europe.

Source:

  • Majic, Danijel (2013) Die Slums in der Mitte Europas. In: Frankfurter Rundschau vom 13.5.2013. 
Germany News Eastern Europe News Western Europe Spain

19.04.2013 Silence about one’s Origins

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Nadine Michollek (2013) from the Kölner Stadt-Anzeiger reported on the many young Rroma in Germany who conceal their origins. Reasons for this concealment are deeply rooted in the prejudices of the majority towards Rroma, which make it all but impossible to speak about one’s origins. Many fear the loss of jobs, friends or customers. For Michollek, the negative perceptions and some romanticized stereotypes come from movies, operas, and especially media reports. Michollek further exposes the problem of well integrated and of marginalized Rroma. A first group of Rroma arrived already 600 years ago in Germany. The Sinti make most of their descendants. Already during the German Empire, the Weimar Republic and later under the Nazis, they were victims of exclusionary policies. Michollek sees the Sinti as excluded from the labour market whereas immigrants from the 1960s arriving from Yugoslavia, Spain, or Turkey, are described as successfully integrated in the labour market, a statement that must be questioned. Sinti tend to demarcate themselves from newer immigrants which speaks against this statement. The testimony of a young Rromni who explains the problem of silence as follows should provoke some thinking:

Sometimes I’m worried about my apprenticeship. At my workplace, I would not tell anyone that I’m a Gypsy woman. I was afraid that if something is missing, I would be made responsible, that people say, maybe it was so, that is indeed one of those. […] There are just too many prejudices, for example, that we steal and lie. My boyfriend and my best friend know. But many of my friends have spoken in front of me negatively on Roma and Sinti, and I just do not want them to think wrong about me.

Source:

  • Michollek, Nadine (2011) Schweigen über die Herkunft. In: Kölner Stadt-Anzeiger vom 27.10.2011. 
Germany News Eastern Europe News Western Europe

19.04.2013 The History of Sufferings of Sinti and Roma

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Stankiewitz (2013) reports on the still poorly acknowledged destruction of Rroma under National Socialism. In the centre he presents the now eighty years old Hugo Höllenreiner, who is one of the few survivors of this crime of the State. Speaking at a memorial in the Munich town hall, Höllenreiner calls the horrors of the past back to life. About half a million Rroma were victims of systematic extermination policies of the National Socialists. Food for thoughts is the fact that theses crimes were only very insufficiently investigated. Stankiewitz emphasizes the often misinterpreted fact that the apparent wandering of the Rroma is not a willed way of life, but rather is the result from the fact that they were not allowed to settle anywhere. Forced to constantly wander, the stereotype of the vagabond Rroma was created. He notes:

It is certain in any case that the immigrant groups and extended families – like the Jews – were not allowed to settle, and he could only exercise certain professions. Thus, the stereotypes of the eternally wandering, nomadic, asocial, or the “free, funny gypsy life” were created. A kitschy representation in art, literature, film and operetta (“The Gypsy Baron”) which is maintained to this day.

At the end of the 19th Century, a systematic monitoring service on Rroma was established. The former police director Alfred Dillmann even set up a “Gypsy Police”, which was to be dedicated on the “containment of dangerous vagrancy”. In inflammatory articles published in the March 1912, “The Gypsy plague”, Rroma were accused of introducing epidemics and of terrorist activities. In Bavaria, in 1926, the “Gypsy and work-avoiders” laws, which among other things criminalised the “travel in hordes” were introduced. Besides this, however, there were always well integrated Rroma who were valued and respected in their professions,   mostly artisanal ones.

With the rise of the Nazis, the systematic criminalization of the Rroma in Germany began. Eugenicists such as Josef Mengele measured the physiognomy of members of the Rroma and presented abstruse theories of racial inferiority and relationships between physique and behaviour. Rroma were identified black triangles, the Rroma equivalent of the Jewish star,  and branded as anti-social and deported to concentration camps. After the war reparation were not paid, as it was claimed that no racial persecution had existed. Databases on travellers were continued well after the War and only disbanded in the 1970s. Stankiewitz concludes:

After the war, the persecuted Sinti and Roma had no political advocates in contrast to other groups of victims. The Höllreiner family, those who survived, were never compensated for their stolen property and for the time in camps. A reparation was out of the question after the Federal Court in 1956 decided that deportations of Rroma were not a racial persecution, but a “crime-preventive measure”.

Source:

  • Stankiewitz, Karl (2013) Es begann in Bayern. Vom Leidensweg der Sinti und Roma. In: Kulturvollzug vom 15.4.2013. 
Hungary News Eastern Europe News Western Europe

05.04.2013 Rroma in Hungary

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The film “Csak a szél” (Just the Wind) by Bence Fliegauf thematises the increasing racism against Rroma in Hungary, why does not shy at physical violence. At the centre of the movie is a real series of attacks that occured between 2008 and 2009 and which killed 55 Rroma. Right-wing extremists set fire to Rroma houses at night and shot the Rroma fleeing from the fire. The protagonists in the film are the children of a Rroma family and each deals differently with the rampant hatred. While the sister tries to ignore the daily taunts and normally goes to school, the brother stays away from school and remains holed up in a hideout. The film won the Grand Jury Prize at the Berlin Film Festival 2012 and is running this week in the Salzburg cinemas.

Newsat (2013) reported on the plans of Hungarian nightclubs to introduce a 10% quota for minorities such as the Rroma. The Office for National and Ethnic Minorities is undertaking a referendum against this racist law project.

Source:

  • Newsat (2013) Roma-Quoten in Lokalen? In: Newsat vom 31.3.2013.
  • Miedl, Magdalena (2013) „Just the Wind“: Ungarns Roma in Angst vor Rassisten. In: Salzburger Nachrichten vom 3.4.2013.
Bosnia News Eastern Europe News Western Europe

15.02.2013 An Episode in the Life of an Iron Picker

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Danis Tanovic’s entry in this year’s Berlinale tells the true story of a Rroma family from Bosnia-Herzegovina, which plays itself the movie. The mother was pregnant, had a miscarriage and was subsequently not properly treated due to lack of health insurance. Only on the third attempt did she get help. The husband earns a modest income by finding and selling scrap iron. Verena Lueken sees the film as a portrait of social cohesion in a Rroma ghetto that is increasingly being tested.

Source:

  • Lueken, Verena (2013) Beilhiebe in Wagentüren. In: Frankfurter Allgemeine Zeitung vom 14.2.2013.
Hungary News Eastern Europe News Western Europe

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Jan Jirat from the WOZ rites about nationalist ideologies among right-wing Hungarians and there impacts on minorities like the Rroma. According to his interview partner Magdalena Marsovszky, a local social scientist, one has to grasp the right wing ideologies as a result of a historical trauma: the separation of Hungary after the end of the First World War and the downfall of Austria-Hungary. Subsequently, a nationalist identity of the Magyars, going back to the origins of Austria-Hungary, was constructed, apparently consisting of shared cultural values and blood ties. Political scientist E. J. Hobsbawm called this the “Invention of Tradition”, the structuring of history in favor of an nationalist identity. – Marsovszky is described to perceive the ideology among nationalists as one of ethnic closing and separation, rather than an opening towards a more diverse, tolerant society.

The ascription of criminality as a part of Rroma identity has to be understood in this context of thinking in ethnic-nationalist categories, which his highly racist and problematic. A further aspect is the construction of Magyar identity in relation to the Rroma. The Rroma are misused to structure the ethnic self-perception in relation and against them. The spread of the so called “Antiziganism” combined with the election of Fidesz representatives has lead to an increase in discrimination and violence against Rroma. The civil defense militia of the Jobbik party – the Hungarian guard – has regularly attacked Rroma during the last years, threatening and even killing Rroma in areas designated as Gypsy habitats.

According to the documentary filmmaker Adam Cisllag, Hungary is in a state of social disrupt, a state of decline of social solidarity, and open racism against Rroma that can be witnessed through all realms of society. As reason for this increased racisms he names the growing poverty amongst the Hungarian Middle class.

Jirat article is well researched and eloquently written. But one has to criticize his unbalanced portrayal of the topic. When reading the article, one gets the impression that a vital part of Hungarians are racists and most Rroma live a life hopelessness and despair and are part of pointless employment programs.

Source:

  • Jirat, Jan (2013) Faschismus mit adretter Frisur. In: WOZ vom 7.2.2013.
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