17.10.2014 Stereotypes: Rroma and the prostitutes’ patch in Zurich – “Victoria

Holtz (2014) discusses the feature film “Victoria – A Tale of Greed and Grace” by Swiss director Men Lareida. It discusses the fate of a Hungarian Rromni prostitute on the former prostitutes’ patch on the Sihlquai in Zurich. Lareida and his wife, who regularly commute between Switzerland and Hungary, became aware of the topic during their train trips between Zurich and Budapest, when they started conversations with the prostitutes. The film is not a moral discussion of prostitution, but tries to show the fate and the motives of the protagonist: “Emphatically and subjective but nonetheless soberly and realistically, „Viktoriá – A Tale of Grace and Greed“ tells the story of the young Hungarian Roma girl Viktoria, who leaves her hometown of Budapest in the hope of earning a lot of money as soon as possible, to work in Zurich as a prostitute. Here, night after night, she stands at the side of the road, under pale lamplight, waiting for the next punter, whom she satisfies in his car on some dark parking lot. What keeps Viktoria alive, are the thoughts of home and the opportunities that the money will bring to her. Thus, among the world of the fast sex, characterized by violence, disgust and humiliation, she also finds love and friendship – and herself. […] Actually, Lareida does not want to accuse. “Viktoria – A tale of Grace and Greed” does not want to caution the viewers or be an instructive parable about the dangers of the sex trade, but shows the things as they are. The director is not in favour of criminalising the sex industry, because: “You have at least to consider that prostitution is a possibility for these women.” However, he asks to increase the security for the sex workers and to offer alternatives to prostitution to the women, also in the countries of origin.”

It seems that the film is not critically addressing the Rroma origin of the protagonist. Is the protagonist just Rroma by change, or is this discussed as a specific feature? Are the stereotypes associated with Rroma, as notions of strong-hierarchical clans, patriarchal family structures etc., discussed? Are they critically commented on? This does not become evident in Holtz’s article. Therefore, it is important to point out that not only Hungarian Rromnja are affected by poverty, and thus find their way into prostitution, but that this also affects ethnic Hungarians. Furthermore, Rroma should not be equated to an underclass, as they belong to all social strata. Moreover, only a few Rromnja are effectively working as prostitutes, a fact distorted by the strong media attention. Therefore, the film indirectly reproduces stereotypes about Rroma, even if it wants to give a voice to those affected and address social misery.